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A *really* lousy photo of a painting I’m working on. I got a few new tubes of acrylics and wanted to do some really heavy experimenting. I’m amazed a got this far with the painting without really knowing what was going to happen, lets hope this dark road takes me someplace brighter.
The season of robots fighting is over, it’s time for spring rain.
Here is a work in progress of an illustration I should be uploading pretty soon. Stay tuned!
The great guys over at Plastic Foundry were nice enough to help release a limited edition print run of 50 of my “Memory of Running” piece. If you’re in Singapore then definitely go and check out there new studio! You can also order prints online, please do!
Details:
USD $40 | Limited Edition of 50
Signed and Numbered
16.5 X 23.5 Inches Archival Pigment Print
300gsm Matt Cotton Textured Fine Art Paper
http://plasticfoundry.com/?product=memory-of-running-by-zach-montoya
Asked by thatsjustwong
Thanks very much! You’re too good. Sometimes I feel like my work suffers for not having a consistent method of working. When I make a digital painting, I combine emulating paint textures from the brush and then overlay a grainy texture that I’ve scanned in. Sometimes I start out traditionally with paint or graphite, then finish digitally. Right now I’m building a body of work that is solely traditional, so I like to work in and out of digital and traditional.
A modern interpretation of the “Frog Prince” fable.
An illustration I did for the Mortgage Observer, I love the problem solving that goes into designing an illustration around something like German banks retreating from the US due to the Eurozone Crisis.
Getting some quicker drawings in here for some consistency, here is me practicing some hand lettering. It’s my birthday drawing.
